In progress

Harmonization on the original melody by Cesáreo Gabaráin. For me, the classic of classics. Communion song. I can provide you with the particellas of each instrument separately.

Offertory song. This work is basically by Carlos Montes. His is the main melody and the text. I only harmonized for choir. Of course, I was a little bit overloaded with the orchestration of the demo :).

Harmonization for the hymn of the patron saint of our parish of Madrid, San Marcos, on the melody of the hymn "Was Gott tut, das ist wohlgetan", by Samuel Rodrigast (1674). The lyrics were written by Ana María Guirao, choir director.

Harmonization on the original melody by Brother Bethervien and lyrics by Brother Valeriano León (La Salle). Communion song.

Kyrie from the mass In tempo pasquale, intended to be performed at Easter.

Alleluia from the mass In tempo pasquale, intended to be performed at Easter.

Sanctus from the mass In tempo pasquale, intended to be performed at Easter.

Agnus Dei from the Mass In tempo pasquale, intended to be performed at Easter. This piece is very dear to the choir and we perform it frequently.

This is a very funny, cheerful and syncopated santo, with pentatonic touches, which is actually not mine, but I transcribed it from memory from the memories I have of my childhood in Toledo. I have no idea of the author or if the transcription conforms to the original, but in any case it is a very easy piece and suitable for masses with children and yes, here it can be played on guitar.

It is an arrangement for mixed choir on the Mozarabic melody of the Lamentations of Jeremiah. The tropos are added by us. The choral repetitions to the soloist's invocations progressively increase the harmonic complexity.
Co-authored with Carlos Montes.

I think it was my first composition for the San Marcos choir. The dissonances at the beginning refer to Pergolesi's Stabat Mater.

Harmonization of the popular Gloria Carismático. To avoid making it too long, the idea is to sing the chorus, all the lyrics in a row, and again the chorus with the harmonized Amen.

Co-authored with Carlos Montes. Offertory or communion piece, brief, with text in Latin. A serene, slow work, that transmits peace and induces to reflection. We thought it to be sung in the post communion, in Lent.

Harmonization on the original melody by F. Palazón. Communion song.

Solemn saint with a counterpoint in the second part that is superimposed on the voice of the assembly, which is simple so that it can be easily sung.

Choral responses to the various acclamations with which the assembly responds to the priest.