In progress

Harmonization on the original melody by Cesáreo Gabaráin. For me, the classic of classics. Communion song. I can provide you with the particellas of each instrument separately.

Offertory song. This work is basically by Carlos Montes. His is the main melody and the text. I only harmonized for choir. Of course, I was a little bit overloaded with the orchestration of the demo :).

Harmonization for the hymn of the patron saint of our parish of Madrid, San Marcos, on the melody of the hymn "Was Gott tut, das ist wohlgetan", by Samuel Rodrigast (1674). The lyrics were written by Ana María Guirao, choir director.

Harmonization on the original melody by Brother Bethervien and lyrics by Brother Valeriano León (La Salle). Communion song.

Kyrie from the mass In tempo pasquale, intended to be performed at Easter.

Alleluia from the mass In tempo pasquale, intended to be performed at Easter.

Sanctus from the mass In tempo pasquale, intended to be performed at Easter.

Agnus Dei from the Mass In tempo pasquale, intended to be performed at Easter. This piece is very dear to the choir and we perform it frequently.

This is a very funny, cheerful and syncopated sanctus, with pentatonic touches, which is actually not mine, but I transcribed it from memory from the memories I have of my childhood in Toledo. I have no idea of the author or if the transcription conforms to the original, but in any case it is a very easy piece and suitable for masses with children and yes, here it can be played on guitar.

Solemn sanctus for celebrations with this character. It has a small fugue at the end of the piece. However,  the assembly can easily sing the simple melodic line of the sopranos.

This is also a solemn, shorter sanctus, which begins in a similar way, where harmony is the protagonist, trying to create an intense atmosphere in preparation for the climax of the celebration, which is the consecration.

It is an arrangement for mixed choir on the Mozarabic melody of the Lamentations of Jeremiah. The tropos are added by us. The choral repetitions to the soloist's invocations progressively increase the harmonic complexity.
Co-authored with Carlos Montes.

I think it was my first composition for the San Marcos choir. The dissonances at the beginning refer to Pergolesi's Stabat Mater.

Harmonization of the popular Gloria Carismático. To avoid making it too long, the idea is to sing the chorus, all the lyrics in a row, and again the chorus with the harmonized Amen.

Co-authored with Carlos Montes. Offertory or communion piece, brief, with text in Latin. A serene, slow work, that transmits peace and induces to reflection. We thought it to be sung in the post communion, in Lent.

Harmonization on the original melody by F. Palazón. Communion song.

Choral responses to the various acclamations with which the assembly responds to the priest.